A History of Loneliness by John Boyne review – a denunciation of the Catholic church

IRELAND
The Guardian

Helen Dunmore
Friday 3 October 2014

“Ireland is rotten. Rotten to the core. I’m sorry, but you priests destroyed it.” These words are spoken by a young man who was sexually attacked in his childhood by an Irish priest, a friend of the family. They go to the heart of this novel’s passionate denunciation of the role played by the Catholic church in the scandal over child abuse by the clergy. It is a study of the corrupting effects of power in an Ireland that came close to being a theocracy. Sexuality was strictly governed; contraception, abortion and divorce were forbidden; and yet the abuse of children went unpunished and was deliberately concealed by the church hierarchy for fear of damage to the institution. It is this cover-up, this shifting from parish to parish of offending priests, this determination to put the good name of the church – and its resources – above the sufferings of children that has caused such shock, shame and anger in Ireland, and many other parts of the world.

The central character in A History of Loneliness is Odran Yates, a Dubliner who enters a seminary at the age of 17. He believes that he has a vocation: his mother has told him so. The family has already been shattered by tragedy, and Odran doesn’t know his own mind. His weakness opens a fault line that will deepen throughout the novel. He hides from himself what he doesn’t want to see, and tells his own story with an apparently nonchalant fluency that omits a great deal. Boyne makes expert use of the gaps in Odran’s narration. Inexorably, he proves that what Odran considers to be his own innocence may also be seen as wilful ignorance. In the seminary, Odran and Tom Cardle are “cellmates” for five years, and yet although Odran considers Tom his best friend, the two do not truly know each other. Tom will become one of those priests who stays only a year or two in a parish before being moved on, and Odran will close his eyes to the implications of this. The revelation that the altar boys in Tom’s parish call him “Satan” appals, but fails to enlighten him.

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