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'Deliver Us from Evil' Exposes Sins of a Father and Church Father By Gene Seymour Newsday October 13, 2006 http://www.newsday.com/entertainment/movies/ny-deliver1012,0,1692662.story?coll=ny-moviereview-headlines
It's possible to imagine audiences of varied faiths and persuasions viewing the prospect of yet another documentary about pedophilia by Catholic priests with any combination of wariness, fatigue or trepidation. Yet "Deliver Us From Evil" deserves their complete attention -- and their absolute respect. It's more incisive than any other film on its subject. If there is a single priest whose transgressions could cover wide and daunting ground, director Amy Berg found him in Oliver O'Grady. Throughout the 1970s and 1980s, "Father Ollie" ingratiated himself with parishioners all over southern California who entrusted him with their children's spiritual care. As both O'Grady and his victims' parents testify here, he was an apparently insatiable sexual predator whose acts of rape, sodomy and abuse of children numbered in the hundreds. The, soft-spoken O'Grady, now living free in Ireland after serving half of a 14-year jail sentence, not only enjoyed sex with pre-adolescents and teenagers, but with newborn babies. He was also not above seducing parents as a way of getting intimate with their children. What really agonizes these victims -- and will infuriate audiences -- is that instead of doing something about O'Grady, his superiors in the California diocese kept moving him from parish to parish in an effort to cover up his behavior. Berg, a veteran of both CBS News and CNN, carefully and calmly assembles a devastating case against church officials' mendacity. There are videotapes of Los Angeles Archbishop Roger Mahoney and other leaders lying about how much they knew about O'Grady's transgressions. Part of what makes "Deliver Us From Evil" so chilling is that while the deceptively benign O'Grady seems to express remorse for what he's done, one can't tell whether he's still trying to charm and beguile both Berg and her audiences. Every once in a while, she'll try to press things too hard, photographing O'Grady at different angles or placing him in overly emphatic shadows. Such lapses still aren't enough to mitigate her film's impact. Here's the bottom line: O'Grady's a free man, Mahoney and his colleagues still have their positions in the church hierarchy and the victims are left sorting through the rubble of ruined childhoods and damaged faith.
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